Session 4 at LMA 21st February 2020 ‘Lets talk about dirt’

FEBRUARY 28, 2020

Session 4 at LMA 21st February 2020. Conservation Cleaning

This week participants traveled from SMART to London Metropolitan Archives and back by taxi. This was easier than travelling by bus and everyone arrived in good spirits to have lunch with time to spare. Tom had made a huge number of sandwiches and after further biscuits and tea we moved into the Conservation Studio to start the workshop. As people headed towards the table around which we sit for the sessions it was clear that the studio is becoming a familiar space.

This session was called ‘Let Talk about Dirt’ and we did just that by discussing why dirt and dust is a problem and how it gets onto the registers.

Making trays of archival paper

Making trays out of archival paper

The most common way for dirt to get onto books and documents is by handling. When the asylum registers were consulted in the past by clinical and other staff, they will sometimes have turned the pages with greasy fingers, or left a book open so that dust fell onto it. Because of this we can look at a book now and see which pages were consulted most frequently – they are the ones with the most dirt or fingerprints on the corners of the page as it is turned.

Cutting and folding the paper for the trays

When stored on a book shelf, dust enters the volume from above, with dust falling deep within the book if the pages are loose. That is another reason why it’s good to put heritage volumes in a protective box.

And, in order to keep our work space clean, we made paper trays so that the dust and other particles that get moved by cleaning were contained and not spread over the table or floor.

Cleaning volumes using foam book wedges to support the bindings

People worked either in pairs or individually and, after a break and cup of tea, we started cleaning the registers using soft brushes and latex sponges. The covers, which are leather or parchment, were not cleaned, we just concentrated on the pages.

The books vary quite a lot, some are large while others are fairly small and slim but they all needed the support of a foam book wedge to ensure that the bindings were not squashed flat on the table. These wedges are particularly important during cleaning as pressure is put on the pages, but they would also be needed if the registers are consulted in the search room.

Some volumes needed quite a lot of cleaning

Once finished, each register was measured for a box. The boxes will be cut by Amy in the Boxing Room and by the next session they will be ready for folding and wrapping around their newly clean books.

 

 

Session 3 at LMA 7th February 2020. Protection and looking

The session start time has been moved to 12,30, so the first thing we did was have lunch in the Huntley Room. Then we visited the boxing machine, located in its room high up in the building and full of light. We met Amy, who operated the machine, and watched it robotically crease and cut out the flat box shape. ‘Why is it called a Wrap Lock box? – because it wraps round the book and then locks shut with its tab.

Archive boxes, presents from the Box Machine Room.

It was fantastic to see people become increasing interested in different box shapes, and to share the pleasure of receiving a small archive box as a present. A box you have seen being made is fundamentally different from one purchased from a newsagent.

Travelling through LMAs back regions, we found ourselves in the Conservation Studio. There was an air of anticipation as people wrapped the boxes they had measured last week round the St Luke’s Hospital volumes. Then satisfaction all round as the books fitted snuggly into their new homes. We discussed how the boxes protected the books from handling, dust and even flood water.

Checking to see if the measurements made in Session 2 are accurate, before wrapping the newly made boxes around the books.
Wrapping the books in their bespoke boxes. One of the St Lukes Hospital volumes has a diagram of the brain slipped into the pages.

We were having a tea break in the Huntley Room, when the fire alarm sounded. It was not a drill, so we congregated outside for 25 minutes while the Fire Brigade checked the building.

London Fire Brigade in action -they checked the building and we were soon back in the Conservation Studio.

Back in the Conservation Studio, we moved on to the agents of deterioration, re-written in less technical language than used by professional conservators. At first the group looked a bit bored, maybe tired, maybe thinking they were going to get a lecture.

Agents of Deterioration. The others are bugs and pests; handling and accidents; theft and vandals; fire; water.

However, once we started chatting about bugs, pests, handling and fire the discussion livened up. People sat up in their chairs and started talking and looking. One person said, “do you really spend a whole day at a conference talking about pests, a whole day?” Somewhere between aghast and fascinated.

Fire has changed the chemistry of these parchment pages. One of the Agents of Deterioration.

It’s easy for those of us who work in archives and museums to forget how unfamiliar it is to be behind the scenes for most people.

As a conservator and collections care manager this project is taking me out of my comfort zone, but I am enjoying it. The sessions tend not go to exactly to plan and we have to be flexible – rather like jazz; structured improvisation. And I hope that as the weeks go by the experiences and nascent research emerging from the project will be the beginning of many more C4W workshops.

Helen Lindsay, ACR

Helen is a Collections Care professional and Paper Conservator, who is coordinating Conservation For Wellbeing.

Session 2 LMA 24th January 2020. Handling and protection

Last week’s SMART art group session was all about different papers and card, before people made beautiful Masu origami boxes. That fed straight into today’s LMA session.

A slow bus journey from SMARTs Chelsea base to LMA in Farringdon, so we did everything we planned except visit the Box Machine. Caroline met us in the Huntley Room with archivist Sally Bevan and the group went into the Conservation Studio to hear about the history of the St Luke’s Hospital archive. There was talk about the language of diagnosis in the past and now.

After lunch we returned to the Studio where the table was prepared with a couple of volumes for each person, box measuring frames and worksheets to record measurements and label information. Boxes protect books from damage by handling so that they can be used for research. They are a buffer between the book and environmental factors that affect organic materials like high humidity, dirt and pests.

The box measuring frames are like shoe fitting guages for height, depth and width. Each box must be accurately measured to its largest dimension so that the volume fits snugly inside a bespoke box and can’t be damaged by moving inside the box. The label number and measurements have to be recorded together so that the box is correctly matched to it’s book – LMA are boxing so many volumes from their enormous collection that a volume’s number is essential to keep track of the books.

Its trickier than it sounds! And fun to do.

The boxes are cut on the laser box machine, with their label number etched on the outside. There are different styles of boxes for different types and sizes of volumes – some like envelopes, others like box files. We will see if we’ve got the measurements right next session, as the boxes will be made up between times.

Next session on 7th Feb will be a visit to the box machine, placing boxes around the volumes, learning about agents of deterioration and making folders.

Conservation for Wellbeing Session 1, London Metropolitan Archives 10th Jan 2020

People came from SMART’s base in Chelsea by the Number 19 bus to LMA at Farringdon. The session began at 11.30, when we met at the Huntley Room, then Caroline de Stefani, Head of the Conservation Studio, took us on a tour of strong rooms with new and old roller racking. Climate is controlled by the building’s thermal mass to be at a regular temperature of 17 degrees, with relative humidity of 45 – 50%. We also went into a film store, where the temperature was lower to reduce relative humidity, trying to slow deterioration of the film stock. We broke for lunch, then went into the Conservation Studio, where Caroline showed us the wet area, demonstrated a humidity chamber for working on parchment, and identified some of the equipment, including guillotines, presses, and a book measure. She introduced us to a colleague, Georgia, who talked about a volume she is starting to work on, and also showed an ‘after’, a re-bound and cleaned set of document. We then looked at 19th Century volumes of documents from St Luke’s Hospital – registers and case books, as well as photographs from Banstead Hospital in the1920s and 30s. Next session will involve making boxes…